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When you choose to work with KangKine Entertainemnet you will receive the following.

  • You will receive a 1 hour FREE NO HASSLE NO OBLIGTION face to face consultation.
  • You will receive first class audio/visual equipment.
  • You receive a written agreement that will highlight dates, times, and costs so there are no last minute mix ups or price increaeses.
  • You will have a choice from our seasoned professional DJs.

OUR MUSIC Our library contains thousands of fully licensed songs, songs that can get a person moving their body as an individual within a crowd, or music that can bring two people together as one.

Music is a constant this is why we keep our ear to the ground for the latest chart toppers. Our catalogue stays current, we subscribe to a number of fully licensed new music distributors. By using the services of professional music sources you are guaranteed to get the cleanest, possible sound.

OUR EQUIPMENT All of our equipment is tested and checked before it is delivered to your event. As well we have back-up equipment available to be on site in the rare occasion that something may be added or needed last minute. We only use the top names in audio equipment. Pioneer, Numark, American DJ, Shure, Mackie, Yorkville, Macintosh, just to name a few. Your event will be set, tested, and ready for use a minimum of 1 hour prior to your guests arriving.

Each event is unique, each occasion is special. Every function room is different. Depending on your music needs KangKine Entertainment will recommend a mobile DJ package that is most suitable to your requirements.

Bruce: Youngstown Movie

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Here’s a draft concept for a movie script featuring Bruce Springsteen, set in Youngstown, inspired by his song of the same name. The story could explore themes of economic decline, working-class struggles, and resilience through music.

Title: Youngstown Blues
Genre: Drama / Musical
Tagline: “In the heart of America’s rust, one voice rose to sing its soul.”

Opening Scene

Montage of archival footage showing the rise and fall of the steel mills in Youngstown, Ohio. Shots of workers pouring molten steel, factory whistles, and then empty factories overgrown with weeds. Fade into a small dive bar in 1995.

INT. THE RUSTY NAIL BAR – NIGHT

BRUCE SPRINGSTEEN (mid-40s), rugged and thoughtful, sits on a stool with an acoustic guitar, playing “Youngstown” to a small, mixed crowd of older mill workers and younger patrons. His voice carries the weight of the town’s history.

Plot Summary:

  • Act 1:
    Bruce arrives in Youngstown to play a benefit concert for the town’s struggling workers. He meets Joe “Red” Hayes, a retired steelworker (70s), and his granddaughter Emily Hayes (20s), an aspiring musician working two jobs to support her family. Through conversations with locals, Bruce learns about the community’s struggles after the mills shut down.
  • Act 2:
    Bruce begins writing new songs inspired by the people he meets. Meanwhile, Emily struggles with whether to stay in Youngstown or leave for a better life. The town’s mayor and local business leaders propose controversial plans to revitalize the area, sparking tension among residents.
  • Act 3:
    Emily and Bruce collaborate to organize a town-wide music festival, bringing attention to the resilience of Youngstown’s people. The festival becomes a symbol of hope and solidarity, reigniting the town’s pride and attracting national attention. Bruce performs a moving new song, “Steel Hearts,” inspired by Emily and Red.

Key Themes:

  • Resilience and Identity: The film captures the spirit of Youngstown’s people, emphasizing their ability to endure through hardship.
  • Generational Tensions: Emily represents the younger generation caught between staying loyal to their roots and pursuing better opportunities.
  • The Power of Music: Bruce’s music serves as a bridge between generations, fostering understanding and hope.

Climactic Scene:
The festival is in full swing. A large crowd gathers at an open field with the rusted skeletons of old steel mills in the background. Emily, nervous but determined, takes the stage to perform her original song. Bruce watches proudly from the side. As she finishes, he joins her on stage for a duet of “Youngstown,” prompting a standing ovation.

Ending:
The screen fades to black with a quote from Bruce:

“I wrote ‘Youngstown’ for a town that lost its industry but never lost its soul.”

End credits roll over footage of real-life steelworkers and their families.

Would you like me to expand on a specific scene, dialogue, or any other aspect of the script?

Ukrainian Retaliation

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Rod of God

Descending swift, the heavens cry,
A spear of wrath from sky to sky.
Metal strikes with searing might,
Splitting earth, igniting night.

No warhead borne, no blaze to spark,
Yet power rains from orbit dark.
Silent, swift, and deathly true,
The rod commands what none subdue.

From man to star, ambition soars,
Yet such force shakes our fragile cores.
Creation bends, destruction’s art,
The Rod of God—a chilling start.

Born in the USA

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Bruce Springsteen’s “Born in the U.S.A.” is not racist. It critiques America’s treatment of working-class citizens and Vietnam veterans, often misunderstood due to its patriotic-sounding chorus.

Psalm 68:4 contains the phrase:
“Sing to God, sing praises to His name; exalt Him who rides on the clouds—His name is the Lord—and rejoice before Him!”

This verse refers to God as a majestic and powerful presence, often interpreted as a warrior or protector.

The connection to Vietnam War helicopters in 1968 likely stems from the evocative imagery of helicopters flying through the skies, symbolizing power, speed, and an almost divine command of the air. During the Vietnam War, helicopters like the Bell UH-1 Iroquois (“Huey”) became iconic, transporting troops, evacuating the wounded, and serving in combat roles. These machines transformed the battlefield and, in a poetic sense, could be seen as “riders of the clouds.”

In 1968, a significant year in the Vietnam War, helicopters were at the heart of operations like the Tet Offensive. Some soldiers and observers might have associated their airborne presence with divine or apocalyptic imagery, blending scriptural references like Psalm 68 with the surreal experience of modern warfare.